Filed under: PROJECTS
Stylarosa is the recipe, the approach, and exercised discipline. I am a student of movement, exploring color and form.
Filed under: Interior/Exterior Paintings | Tags: abstract, aerosol, Dallas mural, interior mural, mural, painting
A day and a half of cutting loose and experimenting the rest of the way around Thomas’ garage. This space has been a great area to test various approaches painting color and form, taking with me the experience from the time spent researching methods outside my current process.
Plano, TX 2012
Filed under: PROJECTS | Tags: abstract, acrylic, aerosol, cardboard painting, Dallas mural, energetic abstraction, interior mural, mural, painting
Richardson, TX 2012
Filed under: Canvas and Panel Paintings | Tags: abstract, acrylic, aerosol, energetic abstraction, painted skateboard, painting
acrylic, aerosol and latex
The Colony, TX 2011
Owasso, OK 2012
Filed under: Canvas and Panel Paintings | Tags: abstract, acrylic, aerosol, energetic abstraction, painted longboard, painting
acrylic, aerosol and latex
Owasso, OK 2012
Filed under: Canvas and Panel Paintings | Tags: abstract, acrylic, aerosol, energetic abstraction, painting
acrylic, aerosol and latex
The Colony, TX 2011
Filed under: Interior/Exterior Paintings | Tags: abstract, acrylic, aerosol, Dallas mural, energetic abstraction, interior mural, mural, painting
Richardson, TX 2012
Filed under: Interior/Exterior Paintings, PROJECTS | Tags: aerosol, interior mural, mural, painting, Tulsa graffiti, Tulsa mural
Tulsa, OK 2012
Filed under: Interior/Exterior Paintings | Tags: abstract, aerosol, Dallas mural, mural
Made it back out to the garage in Plano to continue the insanity around the room. Hooray freedom!
Plano, TX 2011
Filed under: Canvas and Panel Paintings | Tags: abstract, acrylic, aerosol, energetic abstraction, painting
30×12 Acrylic, Aerosol and Latex on canvas
Dallas 2011
Filed under: Canvas and Panel Paintings
Several layer shifts build up to a complete visual work, the idea realized from a skin-less skeletal pencil composition. This approach perpetuates a painting’s momentum, leading to far less creative blocks.
end of 2011 philosophy
Dallas 2011
